Who Goes There?

Who Goes There? according to the science fiction historian Sam Moskowitz (1920-1997) had an autobiographical impetus: Campbell's mother and aunt were identical twins and enjoyed the "game" of substituting for one another in his care as an infant and young child, confusing him again and again with false identity. It was this uncertainty, this susceptibility to masquerade and his terror at the game which, Moskowitz said, Campbell funneled into this last and greatest of his magazine pieces. (A short novel, The Moon Is Hell, was published only in book form in the early l950's.) Carefully and rigorously extrapolated in its portrait of the menaced expedition, the novelette is regarded as perhaps the greatest horror story to emerge from the field of science fiction. It was the basis for one of the great early science fiction films and its excellent remake decades later.

The copyright of the novelette was, typically of the time, owned by Street & Smith Publications to whose magazine Campbell had sold all of the rights. Hawks paid Street & Smith $900 for all film rights, $500 of that was paid over "voluntarily" by Street & Smith to Campbell. "Don't you feel cheated?" Isaac Asimov said he asked Campbell at the time of the film's successful release. "No", Campbell said, "If it's a good film and it will get more people to read science fiction and take it seriously, then it's all a very good thing."

• The Black Star Passes

• The Girl with the Dragon Tattoo
• Battle Born
• The Girl Who Played with Fire