Performing Arts : Film

Alternative worlds in films such as The Wizard of Oz, It’s a Wonderful Life, Donnie Darko and Eternal Sunshine of the Spotless Mind offer similarities and resonances to our world, but provide a way for filmmakers to address the human condition by forming a sincere and serious connection with everyday life. An illuminating new book explores the history, background and meaning of films that feature alternative worlds – films in which characters cross back and forth between another world and our own, which bring out correspondences and resonances between the worlds they depict. The popularity of such films suggests a need to engage with important themes during troubling times, as well as to be entertained and transported, says author James Walters – rather than merely constituting part of the wider trend of adults finding comfort in books and films ostensibly for children. The films discussed in the book use the fantasy of an alternative world to debate a series of universal conditions associated with human experience: insecurity, ambition, loneliness, apprehension, bravery, vanity, inarticulateness, anxiety, ambiguity, introversion, love, and so on. Because these films are often viewed as Hollywood ‘product’ they don’t always have the intellectual cachet of European films dealing with similar themes, but Walters suggests that there is complexity and depth behind these superficially light films. Traditionally, Realist cinema has dealt with weighty issues, but increasingly films featuring alternative worlds offer an engaging way of dealing with ‘serious’ content and issues. In each of the films discussed the flight from the real world results in characters having to face reality again, equipped with new knowledge and experience, enabling them to find a way of living there from that day on. more...

Price: $20.00

The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women’s liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry were the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider. more...

Price: $22.00

During the 1980s, American cinema underwent enormous transformations. Blockbusters like Raiders of the Lost Ark, E.T., and The Empire Strikes Back grabbed huge revenues for the studios. At the same time, the growth of home video led to new and creative opportunities for independent film production, resulting in many of the decade’s best films. Both large- and small-scale filmmakers responded to the social, political, and cultural conditions of the time. The two-term presidency of Ronald Reagan spawned a new Cold War with the Soviet Union, which Hollywood film both embraced and critiqued. Also during this time, Hollywood launched a long-awaited cycle of films about the Vietnam War, exploring its impact both at home and abroad. But science fiction remained the era’s most popular genre, ranging from upbeat fantasies to dark, dystopic visions. Bringing together original essays by ten respected scholars in the field, American Cinema of the 1980s examines the films that marked the decade, including Ordinary People, Body Heat, Blade Runner, Zelig, Platoon, Top Gun, Aliens, Blue Velvet, RoboCop, Fatal Attraction, Die Hard, Batman, and sex, lies & videotape. more...

Price: $17.00

Argues that television is the central apparatus of consumer society and its success is measured not in terms of whether we enjoy programs, but how much we spend as a result of watching them. Should be read by anyone who watches television. more...

Price: $24.99

Going beyond the box-office hits of Disney and Dreamworks, this guide to every animated movie ever released in the United States covers more than 300 films over the course of nearly 80 years of film history. Well-known films such as Finding Nemo and Shrek are profiled and hundreds of other films, many of them rarely discussed, are analyzed, compared, and catalogued. more...

Price: $20.00