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Jazz eBooks
You have selected the subject of Jazz. The eBooks in this subject are listed below.
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RESULTS: 1 to 10 of 23
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Bebop
By: Owens, Thomas
Published by: Oxford University Press - USA
When bebop was new, writes Thomas Owens, "many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music." For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes, bebop is nothing less than "the lingua franca of jazz, serving as the principal musical language of thousands of jazz musicians." In Bebop, Owens conducts us on an insightful, loving tour through the music, players, and recordings that changed American culture. Combining vivid portraits of bebop's gigantic personalities with deft musical analysis, he ranges from the early classics of modern jazz (starting with the 1943 Onyx Club performances of Dizzy Gillespie, Max Roach, Oscar Pettiford, Don Byas, and George Wallington) through the central role of Charlie Parker, to an instrument-by-instrument look at the key players and their innovations. Illustrating his discussion with numerous musical excerpts, Owens skillfully demonstrates why bebop was so revolutionary, with fascinating glimpses of the tempestuous jazz world: Thelonious Monk, for example, did "everything 'wrong' in the sense of traditional piano technique....Because his right elbow fanned outward away from his body, he often hit the keys at an angle rather than in parallel. Sometimes he hit a single key with more than one finger, and divided single-line melodies between two hands." In addition to his discussions of individual instruments and players, Owens examines ensembles, with their sometimes volatile collaborations: in the Jazz Messengers, Benny Golson told of how his own mellow saxophone playing would get lost under Art Blakey's furious drumming: "He would do one of those famous four-bar drum rolls going into the next chorus, and I would completely disappear. He would holler over at me, 'Get up out of that hole!'" In this marvelous account, Owens comes right t
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Price: $19.95
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Jazz
By: Holmes, Thom (ed.); Carlin, Richard; Duckworth, William
Published by: Facts On File Inc.
American history. Born of oppression and built upon improvisation, it transcends racial divisions and continuously evolves with the times. Originating in New Orleans, jazz migrated north during the Roaring Twenties, ignited by the Hot Jazz of Louis Armstrong. During the Great Depression, Duke Ellington and Fletcher Henderson brought the captivating sounds of Harlem nightclubs to dance halls across the country and helped usher in the Swing Era. As music tastes changed and rock and roll emerged during the 1950s, Miles Davis initiated a new era in jazz, and a legacy that lives on today. American Popular Music: Jazz follows the history and development of jazz through the years, monitoring a genre in musical history that remains vital and dynamic to American popular culture as we know it.
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Price: $67.00
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Miles and Me
By: Troupe, Quincy
Published by: University of California Press
Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal.
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Price: $12.95
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Monks Music
By: Solis, Gabriel
Published by: University Presses of California, Columbia and Princeton
Combines cultural theory, biography, and musical analysis to shed light on Monk's music and on the jazz canon itself. This book shows how the work of this nonconformist composer emerged from the jazz world's fringes to find a central place in its canon. It considers how Monk's stature has grown, from the narrowly focused wing of the avant-garde.
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Price: $21.95
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What Is This Thing Called Jazz?
By: Porter, Eric
Published by: University of California Press
Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary.
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Price: $15.95
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Dancing in Your Head
By: Santoro, Gene
Published by: Oxford University Press - USA
As music columnist for The Nation, Gene Santoro has established himself as an important new critical voice, able to write well on a broad spectrum of popular music and jazz without losing touch with the cutting edge of today's music scene. About Nat "King" Cole, Santoro comments: "adjectives can't describe the swinging, ingratiating self-confidence laced with tenderness that colors Nat "King" Cole's singing. His baritone/tenor is so airy and elemental, so palpably physical, it invites you in, then surrounds you glowingly..." And on the highly successful rock band Living Colour, Santoro is no less evocative: "hardcore metal raveups slam into bluesy ballads and psychedelicized pop, lilting Caribbean inflections collide with hiphop scrambles of prerecorded material and touches of funk." Dancing in Your Head gathers Santoro's liveliest reviews and essays for the first time, introducing a fresh and provocative perspective on several decades of musicians and their work. Santoro covers a wide musical vista, from the legendary blues singer Robert Johnson to Public Enemy's controversial rap lyrics, from the long running clash between blues and African American gospel to the rock iconoclast Neil Young, from the great James Brown to George Hay, the founder of the Grand Ole Opry. Documenting the evolution of jazz, rock and roll, and rap, Santoro's observations are incisive, honest, and reflective. Of his early exposure to Jimi Hendrix, John Coltrane and Bela Bartok, Santoro remarks, "That sense of wonder and discovery is what happens when you've been hit by art's immediate vatic power. It has never left me, has been touched and renewed by each encounter I've valued." Santoro examines the staying power of music legends Lou Reed, Eric Clapton, the Grateful Dead, and Sun Ra, the freewheeling jazz artist who prefers to call himself a tone artist rather than a musician. Special highlights include several pieces on Miles Davis; book reviews, including one on Gunther Schuller's two-vo
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Price: $18.95
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Growing Up with Jazz
By: Stokes, W.Royal
Published by: Oxford University Press (US)
Focusing on how these figures became jazz musicians, this volume discusses the two most prominent US jazz musicians: the influential bop drummer Art Blakely and the famous jazz pianist and personality Dr Billy Taylor.
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Price: $30.00
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The Jazz Age
By: Shaw, Arnold
Published by: Oxford University Press - USA
F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in his marvelously engrossing book, appropriately called The Jazz Age. Enriching his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the "Roaring Twenties"--including blues, jazz, band music, torch ballads, operettas, and musicals--and sets them against the background of the Prohibition world of the Flapper and the Gangster. The Jazz Age offers an insider's view into the significant developments and personalities of the jazz age, including the maturation and Americanization of the Broadway musical theater, the explosion of the arts celebrated in the Harlem Renaissance, the rise of the Classic Blues Singers, and the evolution of ragtime into stride piano. It also contains a bibliography, detailed discography, and listings of the songs of the twenties in Variety's "Golden 100" and of films featuring singers and songwriters of the era.
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Price: $19.95
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Jazz Changes
By: Williams, Martin
Published by: Oxford University Press - USA
Jazz Changes is the late Martin Williams's third and perhaps best collection of jazz portraits, interviews, narrative accounts of recording sessions, rehearsals, and performances, important liner notes, and far reaching discussions of musicians and their music. The collection includes thirty years of Williams's finest pieces taking readers on an engaging tour of the changing jazz world. There are appreciation-profiles and comments on such performers as Ross Russell--about the noted Dial Record sessions with Charlie Parker--and greats like John Coltrane, Billie Holiday, Jelly Roll Morton, Ornette Coleman, Dinah Washington, and Thelonious Monk. Williams also offers parodies of how jazz critics in 1965 might have assessed the Beatles, and relections on the Ellington era. He concludes with an elegant plea for critics to pay attention to jazz history, always exhibiting his keen mind and gifted pen.
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Price: $19.95
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Jazz Cultures
By: Ake, David Andrew
Published by: University of California Press
From its beginning, jazz has presented a contradictory social world: jazz musicians have worked diligently to erase old boundaries, but they have just as resolutely constructed new ones. David Ake's vibrant and original book considers the diverse musics and related identities that jazz communities have shaped over the course of the twentieth century, exploring the many ways in which jazz musicians and audiences experience and understand themselves, their music, their communities, and the world at large.
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Price: $15.95
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RESULTS: 1 to 10 of 23
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