Religion

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The first serious journalistic investigation of the highly secretive, controversial organization Opus Dei provides unique insight about the wild rumors surrounding it and discloses its significant influence in the Vatican and on the politics of the Catholic Church. more...

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The End of Faith. The God Delusion. God Is Not Great. Letter to a Christian Nation. Bestseller lists are filled with doubters. But what happens when you actually doubt your doubts?. Although a vocal minority continues to attack the Christian faith, for most Americans, faith is a large part of their lives: 86 percent of Americans refer to themselves as religious, and 75 percent of all Americans consider themselves Christians. So how should they respond to these passionate, learned, and persuasive books that promote science and secularism over religion and faith? For years, Tim Keller has compiled a list of the most frequently voiced “doubts” skeptics bring to his Manhattan church. And in The Reason for God, he single-handedly dismantles each of them. Written with atheists, agnostics, and skeptics in mind, Keller also provides an intelligent platform on which true believers can stand their ground when bombarded by the backlash. The Reason for God challenges such ideology at its core and points to the true path and purpose of Christianity. Why is there suffering in the world? How could a loving God send people to Hell? Why isn’t Christianity more inclusive? Shouldn’t the Christian God be a god of love? How can one religion be “right” and the rest “wrong”? Why have so many wars been fought in the name of God? These are just a few of the questions even ardent believers wrestle with today. In this book, Tim Keller uses literature, philosophy, real-life conversations and reasoning, and even pop culture to explain how faith in a Christian God is a soundly rational belief, held by thoughtful people of intellectual integrity with a deep compassion for those who truly want to know the truth. more...

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"Sacred gaze" denotes any way of seeing that invests its object - an image, a person, a time, a place - with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, The Sacred Gaze discusses the religious functions of images and the tools viewers use to interpret them. Morgan questions how fear and disgust of images relate to one another and explains how scholars study the long and evolving histories of images as they pass from culture to culture. An intriguing strand of the narrative details how images have helped to shape popular conceptions of gender and masculinity. The opening chapter considers definitions of "visual culture" and how these relate to the traditional practice of art history. Amply illustrated with more than seventy images from diverse religious traditions, this masterful interdisciplinary study provides a comprehensive and accessible resource for everyone interested in how religious images and visual practice order space and time, communicate with the transcendent, and embody forms of communion with the divine. The Sacred Gaze is a vital introduction to the study of the visual culture of religions. more...

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The Tao Te Ching is a Chinese classic text. According to tradition, it was written around 6th century BC by the Taoist sage Laozi (or Lao Tzu, "Old Master"), a record-keeper at the Zhou Dynasty court, by whose name the text is known in China. The text's true authorship and date of composition or compilation are still debated. The Tao Te Ching is fundamental to the Taoist school of Chinese philosophy and strongly influenced other schools, such as Legalism and Neo-Confucianism. This ancient book is also central in Chinese religion, not only for Taoism but Chinese Buddhism, which when first introduced into China was largely interpreted through the use of Taoist words and concepts. Many Chinese artists, including poets, painters, calligraphers, and even gardeners have used the Tao Te Ching,/i> as a source of inspiration. Its influence has also spread widely outside East Asia, aided by hundreds of translations into Western languages. The Wade-Giles romanization Tao Te Ching dates back to early English transliterations in the late 19th century, and many people continue using it, especially for words and phrases that have become well-established in English. The pinyin romanization Daodejing originated in the late 20th century, and this romanization is becoming increasingly popular, having been adopted as the official system by the Chinese government. [Adapted from http://en.wikipedia.org/wiki/Tao_Te_Ching under the terms of the GNU-FDL] more...

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